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I see an insidious problem in the marketing of weddings as 'the happiest day of your life.' The pressure that is placed upon this event to be the alpha and omega of your entire existence makes it, I think, into a kind of nuptial New Year's Eve, and we all know how that usually turns out.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I didn't have to do paper routes. I'd sing for 5 bucks a crack at weddings and church functions; I'd have four or five on some Saturdays.
My vision is that I'm living to see two more daughters get married, dance at their weddings and then lift the Lombardi Trophy several times.
I love weddings: happy people coming together to celebrate in great clothes.
There was once a caustic comment from someone suggesting I was breeding a new race. Fans from different countries have married, amazing things like that. I've been to some of the weddings. I went to one here the other day, a pagan ceremony.
Frankly, 'Bride Wars' got made because movies with women need to be about weddings and love.
I don't have a college degree. I started working at 19 on a tiny newspaper. I've covered everything from weddings to crime to criminal weddings.
I think that weddings have probably been crashed since the beginning of time. Cavemen crashed them. You go to meet girls. It makes sense.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.