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I'm a little left of center, for sure, with Angels & Airwaves. But even when I get really weird, it's not that weird. It's not like some obscure Sonic Youth record or something. We don't take it quite that far. But what we do like are crescendos, and we do like when a song catches you off guard and it gives you the chills up and down your arms.
Pixies and Sonic Youth were so important to the eighties.
I've been trying to challenge myself to be more explicit. I've always liked punk rock and Sonic Youth. I make that music privately, but I've never released it.
Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.
Sonic Youth, for better or worse, is/was a machine that carried me along through pregnancy, motherhood, and creative opportunities I never would have achieved on my own. I'm grateful and surprised that we were listened to, loved, ignored, and overrated.
I've been into Sonic Youth since junior high school. I think I kind of have ADD, so it's good music for ADD because it just throws you in different directions all the time. I really like Kim Gordon's voice and Thurston Moore's voice, and I like the guitars going off on tangents.
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
I can't think about whether I'll disappoint Sonic Youth fans. It's not like I want people to be disappointed, but I just can't control that.
Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words.
I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.