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As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.
For a songwriter, you don't really go to songwriting school; you learn by listening to tunes. And you try to understand them and take them apart and see what they're made of, and wonder if you can make one, too.
My songs are basically my diaries. Some of my best songwriting has come out of time when I've been going through a personal nightmare.
I don't claim to be a particularly good father. I'm flawed, let's say. I've certainly been affected by the experience of having kids... trying to be a father, at least. It's an amazing process. It's like songwriting: it's a complete mystery to me. I don't understand it - but I've certainly written about it.
I love my complexion, but like so many of us, in the early years at primary school, I grew up thinking that my dark skin wasn't a great thing. I've found freedom in music and songwriting, which has given me a freedom in how I present myself. I'm glad I've got makeup to celebrate that with.
Where I've arrived now is the product of mixing the very straight with the very exploratory; there's a fine line between the two, although it tends to be getting straighter and straighter because my songwriting is getting better.
Songwriting is a very mysterious process. It feels like creating something from nothing. It's something I don't feel like I really control.
To me, the guitar is a tool for songwriting, and it's fun, too. The day that it's not fun, that's when I'm not gonna play guitar anymore.
For me, in songwriting, I have a route I can take. Maybe there's some forks, I can go this way, this way. But I know those roads. I still have the experience behind me.
Linkin Park has been a band for such a long time, for me, in my eyes. I was 16 years old when I first heard them. I heard 'Hybrid Theory,' and I was floored at what I was listening to. It was angry yet melodic, it had hip-hop and it had - it was just different, good. Good songwriting.