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I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.
You have to learn the rules of the game. And then you have to play better than anyone else.
Sometimes people are like, 'Do you want to play strong women?' I don't have to play strong women in order to feel like a strong woman myself, but I do feel it's important to play characters that are complex and interesting and believable.
If you have the opportunity to play this game of life you need to appreciate every moment. a lot of people don't appreciate the moment until it's passed.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands. It's very old and traditional, but then, so is an orchestra and so is a string section.
Festivals are fun for kids, fun for parents and offer a welcome break from the stresses of the nuclear family. The sheer quantities of people make life easier: loads of adults for the adults to talk to and loads of kids for the kids to play with.
Finding good players is easy. Getting them to play as a team is another story.
You can discover more about a person in an hour of play than in a year of conversation.
It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.