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I know there is strength in the differences between us. I know there is comfort where we overlap.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
There's an overlap between social-realist fiction and crime fiction - a sweet spot there.
Shyness is inherently uncomfortable; introversion is not. The traits do overlap, though psychologists debate to what degree.
I like dramas because there's a big overlap between film and fiction, so I feel relatively qualified to talk about plot and characterisation and that sort of thing.
Men and women's needs and desires overlap but go in different directions as well.
In golf, the player, coach and official are rolled into one, and they overlap completely. Golf really is the best microcosm of life - or at least the way life should be.
In the broad spectrum of the arts, two worlds rarely overlap - the literary world and the world of rock music.
The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius.
Even in the lives of fishes, sensation is seldom a matter of one thing or another. Senses overlap. The lines between them often tend to be blurred, and the best that we can manage, by way of description from the outside, is to say that the senses of fishes appear to dominate one at a time.