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Kids, adults, men, women, everybody has a relationship with Mickey Mouse.
I adored Mickey Mouse when I was a child. He was the emblem of happiness and funniness.
When you say 'comic book' in America, people think of Mickey Mouse, and Archie. It has a connotation of juvenile.
Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.
In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
I played in rhumba bands, mickey mouse bands; all kinds of bands.
Human beings have a lot of problems identifying themselves with other human beings who don't resemble them exactly. But there's something about drawing that means that anyone can identify to a drawing. I mean, people can identify themselves with Donald Duck and Mickey Mouse.
Oh, I adored Mickey Mouse when I was a child. He was the emblem of happiness and funniness. You went to the movies then, you saw two movies and a short. When Mickey Mouse came on the screen and there was his big head, my sister said she had to hold onto me. I went berserk.
Carl Yastrzemski was the best all-around player. He could run, throw and hit. He had the ability to play a number of different positions. He signed as a shortstop. He could play the outfield, of course, and third base and first, too. He was a tremendous athlete. Mickey Mantle was unbelievable, too.
Even in China. Children there, next to the Great Wall, who had never seen Mickey Mouse responded. So the studio did have that skill to communicate with images.