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When I was 16, I played Macbeth at school and my English teacher said, 'I think you may have acting talent. Try to get into the National Youth Theatre of Great Britain and see where you get.' I wouldn't have thought of that at all. I wanted to be a surgeon, but I wasn't a clever man.
I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain.
'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
I think there is this huge hole in Shakespeare that you do not know why Macbeth is who he is.
Maybe because I'm a nice and sweet person in life, I like the darker roles. The really dark one is Lady Macbeth.
Performing a one-man Macbeth feels like the greatest challenge.
I'm much more likely to get lynched over 'The Killing' than 'Macbeth.'
The only still center of my life is Macbeth. To go back to doing this bloody, crazed, insane mass-murderer is a huge relief after trying to get my cell phone replaced.
In the theatre, if you say 'Macbeth', all the actors will start looking very anxious. I'm so well-trained not to say it in the theatre that I can hardly say it in normal life.