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I've struggled a lot to get where I am. I initially got rejected by every producer. But no complaints. I enjoyed each and every moment of the struggle. My first break came in 1997 from Krishna Vamsi and then Puri Jagannadh, who is my closest friend. I owe everything I am to him. Our careers have evolved simultaneously.
I like the evening in India, the one magic moment when the sun balances on the rim of the world, and the hush descends, and ten thousand civil servants drift homeward on a river of bicycles, brooding on the Lord Krishna and the cost of living.
In truth, I am a single mother. But I don't feel alone at all in parenting my daughter. Krishna has a whole other side of her family who loves her, too. And so Krishna is parented by me, but also by her grandmother and aunts and cousins and uncles and friends.
I've always believed in a higher power. You can call it God, you can call it Jesus, Krishna, Buddha, Allah, I don't care. I really believe we are all a part of God.
When I came to the industry, many directors like Krishna Vamsi and Puri Jagannath had encouraged me a lot. Krishna Vamsi is my mentor, and I admire him. That's why I give chances to new directors.
My secret ambition was always to provide music for animation films: something with an Indian theme, either a fairy tale or mythological tale or on the Krishna theme. I still have a very deep desire, but these sorts of chances don't always come.
Krishna children were taught that in the spiritual world there were no parents, only souls and hence this justified their being kept out of view from others, cloistered in separate buildings and sheltered from the evil material world.