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I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
I put some red stuff on my mouth and cheeks so I look healthy - any old red lip pencil and a lip colour from Dr. Hauschka in a crushed berry tone. I never put anything on my eyes, or I look like Joan Crawford.
When Joan D' Arc was asked by her judges why as a Christian she did not love the British, she answered that she did love them, but she loved British in their country. In the same way, we do not hate the Turks, we love them, but in their country.
I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door.
A young female essayist saying they're influenced by Joan Didion is like a young female singer-songwriter saying they're influenced by Joni Mitchell.
With plastic surgery, the general anesthetic is like a black-velvety sleep, and that's what death is - without waking up to someone clapping and going, 'Joan, wake up, it's all over and you're looking pretty'.
There is something so hopeful about a diary, a journal, a new notebook, which Joan Didion and Virginia Woolf both wrote about. A blog. Perhaps we all are waiting for someone to discover us.
Joan was one of my biggest fans, as was Chrissie Hynde.
I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.
There are certain historical figures of such importance that we need to know everything about them, which is why books about Napoleon, Lincoln, Julius Caesar, Joan of Arc, Queen Elizabeth I, and the great religious founders continue to proliferate; these lives require constant reevaluation and interpretation.