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Insurgencies are easy to make and hard to stop. Only a few ingredients need to combine to create an insurgency; like oxygen and fire, they're very common and mix all too often. The recipe is, simply, a legitimate grievance against a state, a state that refuses to compromise, a quorum of angry people, and access to weapons.
What's happened is that an incessant, an insidious insurgency has repeatedly attacked the key infrastructure targets, reducing outputs.
We are tangled in a very significant Islamic insurgency in Iraq.
You can't kill your way to success in a counter insurgency effort. You have to protect the people, get the civil military balance right, train the locals, and practice effective strategic communications.
The number of attacks on the American and allied forces is at the highest level since the insurgency began despite the increase of America combat operations and the introduction of some 40 new Iraq security forces and battalions.
I never call it an insurgency. I call it terrorism.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
I think the central mission in Afghanistan right now is to protect the people, certainly, and that would be inclusive of everybody, and that in a, in an insurgency and a counterinsurgency, that's really the center of gravity.
In any insurgency there will be people who are irreconcilable and who pose a clear and present threat to the U.S. and our allies.
With no other security forces on hand, U.S. military was left to confront, almost alone, an Iraqi insurgency and a crime rate that grew worse throughout the year, waged in part by soldiers of the disbanded army and in part by criminals who were released from prison.