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I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.
What I am is how I came out. No one's perfect and you just have to accept your flaws and learn to love yourself.
I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
If you ask me what I came into this life to do, I will tell you: I came to live out loud.
My dad was a very quiet person, and unbelievably tough. But my grandmother gave me my first look at negative thinking to bring about positive results. When I was just a little guy, anytime I came to my grandmother and said I wish for this or that, Grandma would say, 'If wishes were horses, beggars would ride.'
I love singing, and I came to absolutely adore it in the later part of my career.
But then I came to the conclusion that no, while there may be an immigration problem, it isn't really a serious problem. The really serious problem is assimilation.
I was in Cuba in the winter of 1937. I was playing in Cuba, and I'm in the shower, and I slipped and caught myself with my right arm. I felt something pull right then. Then, in '38, when I came back, my arm was messed up.