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The director of 'Independence Day,' 'Godzilla' and 'The Patriot' has certain attributes, all of which are given full vent in 'The Day After Tomorrow.' He's crude, stupid, slick, cornball, predictable, laughable, relentless, trivial and, the sum of all these, ridiculous. He's never made a movie you could believe and he still hasn't.
For our anniversary, my wife and I went to see Godzilla, and then we ate at Barnyard Venice, and it was like, 'We are crazy! The Kardashians have to keep up with us!'
I did three or four weeks of work on 'Godzilla;' it wasn't a page-one rewrite or anything like that. The term is 'script doctoring,' is what I did on it.
The only thing scarier than Godzilla is Godzilla's lawyers.
When I was a little girl, I used to watch a lot of monster movies, like 'Godzilla.' All those monster movies.
I know I screwed up my 'Godzilla.'
Godzilla. The big, green G-man has had a profound influence on my creative endeavors and imagination since I was blueberry-avoiding kid.
Really interesting genre films, especially monster movies, evoke the fears of the times intentionally. Our starting point was 'Godzilla' - the original movie was released less than 10 years after Hiroshima, and it's a classic in Japan.
Godzilla's a monster for the '90s. He's been working out.
I would love it if the whole 'Godzilla' franchise was revitalized for a new generation.