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When I left drama school, my fear was that I'd get pigeon holed into comic acting and I did so much to counter it that I got stuck in the opposite.
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
My first paid role was my first job out of drama school, which was 'Just William.' It was a BBC TV show. I played Ethel.
I never went to drama school, I don't have any certificates saying: 'He's a qualified actor.' But I did think that 'House' was something I didn't have to apologise for. It was something I was really proud of and it was sort of... whether you liked it or not, it was undeniable.
Even at drama school if there was a part of some eastern European thug it would be me.
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
I thought acting was all about natural instinct but I've realised, through working with so many talented actors on 'Wild Swans' and 'Run,' that I can see the training. That's why I am back at drama school.
I was discouraged at drama school, along with most of my peers.
I knew I wanted to be an actress, but I hadn't ever really told anyone. I'd always got quite good grades, so people assumed I would go and do a 'normal' job. My dad took me to my first audition for drama school and picked me up without anyone knowing, really.
It's so hard coming out of drama school to claim your right to be taken seriously and even get auditions.