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And when an architect has designed a house with large windows, which is a necessity today in order to pull the daylight into these very deep houses, then curtains come to play a big role in architecture.
Because forgiveness is like this: a room can be dank because you have closed the windows, you've closed the curtains. But the sun is shining outside, and the air is fresh outside. In order to get that fresh air, you have to get up and open the window and draw the curtains apart.
In every house, when the curtains are drawn, there's a story going on, and you never get to hear... You get the public side of things, the happy, smiling, social activities.
The curtains would open and it would be just her standing in some ludicrous pose, like Aphrodite.
If I want to calm down, I'll buy some fabric, get a pattern, shut myself in a room and stay there for days, really happy. And at the end of it, you get a bedspread or some curtains or something to wear - it's lovely.
It was like falling off a building and suddenly, bang, you hit the bottom. The first time it happened was on an ordinary day at home. I was taking down some curtains. I took one step, turned around, took another step and then I fell and hit my head hard on the rowing machine.
It's like a cast of actors; you're all working together closely under pressure to produce something everyday. And when we put up an issue, it's like the curtains opening on a new play. I really like that daily sense of surprise.
When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
I decorated my house like a medieval gothic castle, European-style. Chandeliers and red velvet curtains. My bedroom is pink and black, my bathroom is totally Hello Kitty, I have a massive pink couch and a big antique gold cross.
