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I have covered wars, before the epidemic began and since. They are all ugly and painful and unjust, but for me, nothing has matched the dread I felt while walking through the Castro, the Village, or Dupont Circle at the height of the AIDS epidemic.
When every new wave of immigrants looked up and saw the Statue of Liberty, or knelt down and kissed the shores of freedom just ninety miles from Castro's tyranny, these new Americans surely had many questions. But none doubted that here in America they could build a better life, that in America their children would be more blessed than they.
There are examples of fraternal dictatorships, or one, anyway: the passing of power from Fidel to Raul Castro.
I won't perform in Cuba until there's no more Castro and there's a free Cuba. To me, Cuba's the biggest prison in the world, and I would be very hypocritical were I to perform there.
I have very liberal parents. People forget that Fidel Castro was on the cover of 'Time' magazine, and the one that I remember the most - it's not necessarily my favorite - was when they dressed me as Castro when I was eight years old. I was in fatigues, camouflage hat, beard and cigar. I don't think I did that well with candy that year.
I once dealt with a prima donna on a movie set. I won't say who, but his first name is a country. A communist country. Run by Fidel Castro.
That first play I did in New York, Rogelio Martinez's 'When It's Cocktail Time in Cuba,' I played a young Fidel Castro.
I don't profess to have any religion, but if I did, my God would be Fidel Castro. He is like a ship that knew to take his crew on the right path.
The consequence of the Bay of Pigs failure wasn't an acceptance of Castro and his control of Cuba but, rather, a renewed determination to bring him down by stealth.
Castro couldn't even go to the bathroom unless the Soviet Union put the nickel in the toilet.